ADDAURA
teatre visual

And the truth is that the corollary of the current bet could not have come out better: power of the images, virtuosity in costume transformations and various magical effects, with scenes of a fresh very successful freshness, always with a visual and colorful base masterfully embedded in the pictorial universe of Klee and the Bauhaus. And all served from a format of sketches that follow the rhythm of live music by Vassil Lambrinov and a rich soundtrack that accompanies it.

Embrossa't invites us openly to the world of Joan Brossa, in his idea that the "reader of poetry is an performer", that is, that the reader is the one who in fact finishes the work. With all evidence, the resources of this gem, which would be unfairly classified as a children's show; it is powerful enough to stimulate the imagination and participation of audiences of all ages. The architecture of the show is agile, fun, educational and light at the same time. Lights and costumes contribute perfectly to the dreamlike character of the work. Especially interesting is the ability of dancers and, I would say, actors and magicians, to coordinate choreographies with magic tricks, different dance styles and performance, while managing to be fun.

The artistic director, Teia Moner, vindicates the figure of pioneers in the creative field who use art as an expressive means of struggle towards the time in which they have lived and, at the same time, as a formula for vindicating freedom. individual A delirious staging that knows how to keep the rhythms and that makes children and adults applaud from minute zero. The show has wanted to penetrate the personal life of the painter and, at the same time, has been able to explore a way of making and conceiving art. A cry, therefore, to the creative spirit of children.