KLÉ

And the truth is that the corollary of the current bet could not have come out better: power of the images, virtuosity in costume transformations and various magical effects, with scenes of a fresh very successful freshness, always with a visual and colorful base masterfully embedded in the pictorial universe of Klee and the Bauhaus. And all served from a format of sketches that follow the rhythm of live music by Vassil Lambrinov and a rich soundtrack that accompanies it.

All this display of ideas, tricks, effects and wonders, those of Addaura do it from an attitude of dedicated humility to the service of the work, with the extraordinary generosity that represents to have adapted to the difficult sol Demands that magic and transformism demand, without ever losing pace, and exuding a joyful, powerful and at the same time modest energy.

The artistic director, Teia Moner, vindicates the figure of pioneers in the creative field who use art as an expressive means of struggle towards the time in which they have lived and, at the same time, as a formula for vindicating freedom. individual A delirious staging that knows how to keep the rhythms and that makes children and adults applaud from minute zero. The show has wanted to penetrate the personal life of the painter and, at the same time, has been able to explore a way of making and conceiving art. A cry, therefore, to the creative spirit of children. 

The technique indicates a careful work, essential to achieve the proposed visual theater goal. To the visually powerful universe is added the fantastic, unreal component, which comes from the hand of illusionism, well integrated, without the magnificence of magicians. Viewers are mesmerized by each new visual surprise. The power of images and live music are the highlights of this walk through Paul Klee’s colorful universe.